Saturday, January 1, 2011

Black Swan

"Black Swan" is to Swan Lake what "Shakespeare in Love" is to Romeo and Juliet. In both, we have a character striving to succeed at their art and in the process lives a life that parallels their work. Shakespeare's work became a result of his life (according to the film) but Nina's life results from her work. We are essentially watching an adaptation of Swan Lake with characters that happen to be performing Swan Lake. The story is taken to more depth and explores the idea of obsession, not simply career obsession but an obsession of breaking free from confinement. That is the journey that our heroine embarks on.

Nina is restrained professionally, emotionally, sexually and even physically in many ways. She lives with her mother and sleeps in a room saturated in pink and suffocated by stuffed animals. Her mother (an excellent Barbara Hershey) cares for her as if she is still a teenager. Nina seems to exemplify innocence in every aspect. She is soft spoken and often submissive. Although she says that she is not a virgin, it's reasonable to believe that perhaps she is not entirely truthful on the subject.

Natalie Portman is ideal for this sort of over-the-top performance. Nina is a well of emotions ready to erupt and Portman manages to come off as dramatic but yet subdued. However, Aronofsky is the true star here. His visual style utilizes tight camera work on Portman, disabling our ability to know what's going on around her. It's often dizzying and claustrophobic. We feel lost and absorbed into this world much like our main character. She is career-driven, gradually getting lost in her ambitions, and we are engulfed in that obsession with her.

Additionally, we get a fascinating glance at the world of ballet and the daily grind that the performers must endure. It's not made out to be something beautiful for Aronofsky doesn't allow us that luxury. It's more of a grueling career and a way to make a living. Any young girls hoping to become ballerinas will likely reconsider if shown "Black Swan."

This is a remarkably intelligent film. Some might be distracted by the elements of horror and sensuality, writing them off as cheap instruments, but they are merely the surface of a film that provides ample beauty in the form of a dark and uncertain world. Like a good ballet, "Black Swan" will leave you replaying the scenes over and over again. Everything builds at an accelerating rate to a finale that will have you on the edge of your seat. The film's final line can be used to describe itself as well: perfection.

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